Emily and Charlotte Brontë, insomniacs both, would walk together in circles around the dining room table until they were tired enough to sleep. When Emily died and Charlotte suffered alone, her insomnia worsened; she added to her route, often wandering down neighborhood streets and into the cemetery until daybreak.
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In the so-called Screw Plot—a supposed conspiracy to assassinate Queen Anne during a Thanksgiving service in 1710—iron bolts were removed from the roof timbers of St. Paul’s Cathedral in order for the roof to collapse during the service. “The new cathedral was not then quite finished,” wrote John Noorthouck in 1773, “and it appeared upon inquiry that the missing of these iron pins was owing to the neglect of the workmen, who supposed the timbers were sufficiently fastened without them.”
The title track of Van Morrison’s 1990 album Enlightenment opens with the lyrics “chop that wood, carry water,” a reference to the popular Zen Buddhist dictum that before enlightenment, one must chop wood and carry water, and that after enlightenment, one must chop wood and carry water. The origin is a verse by the late eighth-century Chinese poet Layman Pang, who declared that his “supernatural power and marvelous activity” was “drawing water and carrying firewood.”
“The worst punishment God can devise for this sinner,” wrote Harper Lee—who loved casino gambling—in a 1990 letter, “is to make her spirit reside eternally at the Trump Taj Mahal in Atlantic City.”
On April 2, 1877, at London’s Royal Aquarium, a fourteen-year-old girl with the stage name Zazel became the first female to perform the human-cannonball trick in public. She later worked for P. T. Barnum, who, in response to the “Dangerous Performances Bill” under consideration by British Parliament, wrote defensively to the New York Times in 1880 that he paid Zazel $250 a day—“I should never have invested this large sum in any feature, however attractive, had I not known it was placed beyond the chance of accident.”
“When Simonides or someone offered to teach him the art of memory,” Cicero noted in his De Finibus, the Athenian politician Themistocles “replied that he would prefer the art of forgetting. ‘For I remember,’ said he, ‘even things I do not wish to remember, but I cannot forget things I wish to forget.’ ”
Asked whether it was night or day that first emerged when the universe came into existence, sixth-century-bc Greek philosopher Thales of Miletus replied, “Night, earlier by a day.”
A common belief in antiquity was that bees were born of decaying ox flesh. Virgil instructs in his Georgics to stop up a young bullock’s nostrils and mouth, beat it “to a pulp through the unbroken hide,” shut the carcass in a small room to ferment, and await the bees that will burst out “like a shower pouring from summer clouds.”
In love with the same slave girl, Iris, two men in first-century Pompeii fought via graffiti. Severus tagged the wall first, writing that Iris did not love Successus, adding, “His rival wrote this.” Successus responded, “Don’t even think to speak badly of a man more handsome than you, especially one who is both most vicious when crossed and yet also good.” “I have written all there is to say,” Severus retorted. “You love Iris, but she does not love you.”
While uniting rival clans into a nation in the third millennium bc, China’s Yellow Emperor is said to have established prohibitions against feuding by making a gruesome example of one rebellious leader—peeling the man’s skin off to use for target practice, stuffing his stomach to make a ball to kick around, and fermenting his flesh and bones into a bitter broth to drink.
In order to economize while sending a telegram, people sometimes relied on code books that reduced phrases to single words. From the third version of Anglo-American Telegraphic Code, published in 1891: Babylonite (Please provide bail immediately), Titmouse (I [we] accept with pleasure your invitation for the theater tomorrow evening), Mahogany (Malaria prevails extensively), Enringed (the news causes great excitement).
Analytic philosopher Ludwig Wittgenstein was asked in 1926 by his youngest sister to help plan her new house. He quickly became obsessed, taking a year to design the door handles, another for the radiators. Near the project’s completion, he demanded the ceiling be raised thirty millimeters to achieve his desired proportions. “It seemed indeed to be much more a dwelling for the gods,” wrote another Wittgenstein sister, “than for a small mortal like me.”
In June 2020 the city council of Sturgis, South Dakota, mailed surveys to determine whether residents favored proceeding with or postponing the annual Sturgis Motorcycle Rally in August. Nearly 63 percent of respondents wanted the event postponed, while 37 percent voted for it to proceed. Despite the democratic results, the council went ahead with the rally, which attracted 460,000 people to the city of 7,287. The state of South Dakota confirmed 124 residents had become sick from coronavirus after attending the rally.
In a September 1820 letter, Thomas Jefferson warned that “to consider the judges as the ultimate arbiters of all constitutional questions” would “place us under the despotism of an oligarchy. Our judges are as honest as other men, and not more so.” A letter three months later was more incendiary, calling the judiciary “the subtle corps of sappers and miners constantly working underground to undermine the foundations of our confederated fabric.”
Greek dramatist Aristophanes, in the 423 bc comedy The Clouds, coined the term rhaphanidosis, “the humiliating act of thrusting a radish up the anus as a punishment for adultery.”